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The Song Sparrow – Audubon Ornithological Biography

John James Audubon’s Ornithological Biography* was written to accompany his famous The Birds of America**. Had he only produced the Ornithological Biography it would have been a major achievement as it added descriptions of many more birds than Alexander Wilson’s American Ornithology*** and it added a valuable window into those times. The following is an extract of Ornithological Biography including several of the photographer’s favorite Song Sparrow photographs. Enjoy!

Ornithological biography, or an account of the habits of the birds of the United States of America ; accompanied by descriptions of the objects represented in the work entitled The Birds of America, and interspersed with delineations of American scenery and manners — https://www.biodiversitylibrary.org/bibliography/48976#/summary

** The Birds of America — https://en.wikipedia.org/wiki/The_Birds_of_America

*** American ornithology, or, The natural history of the birds of the United States : illustrated with plates engraved from drawings from nature by Alexander Wilson — https://www.biodiversitylibrary.org/bibliography/7986#/summary

 


THE SONG SPARROW.

Fringilla melodia, Wils.
PLATE XXV. Male and Female.

The Song Sparrow is one of the most abundant of its tribe in Louisiana, during winter. This abundance is easily accounted for by the circumstance that it rears three broods in the year:— six, five, and three young at each time, making fourteen per annum from a single pair. Supposing a couple to live in health, and enjoy the comforts necessary for the bringing up of their young families, for a period of only ten years, which is a moderate estimate for birds of this class, you will readily conceive how a whole flock of Song Sparrows may in a very short time be produced by them.

Song Sparrow, Fringilla Melodia, Male 1, Female, 2. Birds of America. John James Audubon.

Among the many desiderata connected with the study of nature, there is one which, long felt by me, is not less so at the present moment. I have never been able to conceive why a bird which produces more than one brood in a season, should abandon its first nest to construct a new one, as is the case with the present species; while other birds, such as the Ospreys, and various species of Swallows, rear many broods in the first nest which they have made, and to which they return, after their long annual migrations, to repair it, and render it fit for the habitation of the young brood. There is another fact which renders the question still more difficult to be solved. I have generally found the nests of this Sparrow cleaner and more perfect after the brood raised in them have made their departure, than the nests of the other species of birds mentioned above are on such occasions; a circumstance which would render it unnecessary for the Song Sparrow to repair its nest. You are aware of the cleanliness of birds with respect to their nests during the whole period occupied in rearing their young. You know that the parents remove the excrements to a distance from them, so long as these excrements are contained in a filmy kind of substance, of which the old bird lays hold with its bill for that express purpose, frequently carrying them off to a distance of forty or fifty yards, or even more. Well, the Song Sparrow is among the cleanest of the clean. I have often watched the young birds leaving the nest; and after their departure, have found it as well fitted for the reception of a fresh set of eggs as the new nest which the bird constructs. I am unable to understand the reason why a new nest is formed. Can you, reader, solve the question?

Song sparrow (Melospiza melodia), Tule Lake National Wildlife Refuge, California, USA. Photo by Rob Mutch, Rob Mutch Ecosystem Photography. Photoshleter: https://robmutch.photoshelter.com/gallery-image/Song-Sparrow/G0000ZfH3IIGKvMo/I0000JTI2CI8aJI4/C0000Jz4aOmCulYU

I have at all times been very partial to the Song Sparrow; for although its attire is exceedingly plain, it is pleasing to hear it, in the Middle States, singing earlier in spring, and later in autumn, than almost any other bird. Its song is sweet, of considerable duration, and performed at all hours of the day. It nestles sometimes on trees, and sometimes on the ground. I have imagined that the old birds, finding by experience the insecurity of their ordinary practice of nestling on the ground, where the eggs are often devoured by Crows, betake themselves to the bushes to conceal their nests from their enemies. But whatever may be the reason, the fact certainly exists, and the nests of the Song Sparrow occur in both kinds of situation. The nest for the first brood is prepared, and the eggs laid, sometimes as early as the 15th of April. The young are out by the first week of May. The third brood is seen by the middle of September. The nest, when on the ground, is well sunk in the earth, and is placed at the roots of tall grasses. It is made of fine grass, and lined with hair, principally horse hair. The number of eggs is from five to seven, usually from four to six, excepting those for the last brood, which I have seldom found to exceed three. They are of a very broad ovate form, light greenish-white, speckled with dark umber, the specks larger toward the greater end. The male assists in the process of incubation, during which one of the birds feeds the other in succession. At this time the male is often to be observed singing on the top of a neighbouring bush, low tree, or fence-rail.

Song sparrow, Tule Lake NWR, California, USA. Photo by Rob Mutch Ecosystem Photography. Photoshelter: https://robmutch.photoshelter.com/gallery-image/Song-Sparrow/G0000ZfH3IIGKvMo/I00003ZT4xbvGEtA/C0000Jz4aOmCulYU

The flight of the Song Sparrow is short, and much undulated, when the bird is high in the air, but swifter and more level when it is near the ground. They migrate by night, singly or in straggling troops. Some of them remain the whole winter in the Middle Districts, where they are not unfrequently heard to sing, if the weather prove at all pleasant. The greater part, however, seek the Southern States, where myriads of Sparrows of different kinds are everywhere to be seen in low swampy situations, such as they at all periods prefer. It is a fine plump bird, and becomes very flat and juicy. It is picked up in great numbers by the Hen-harriers, which visit us for the purpose of feeding on the different kinds of Sparrows that resort to these States in winter from the Middle Districts. In Louisiana, they are frequently seen to ascend to the tops of large trees, and there continue for some time singing their agreeable chant, after which they dive again into the low bushes, or amongst the rank weeds which grow wherever a stream is to be found. They feed on grass seeds, some berries and insects, especially grasshoppers, and now and then pursue flies on the wing. On the ground their motions are lively. They continue running about with great nimbleness and activity, and sometimes cross shallow waters leg-deep. To the eastward, they often frequent orchards and large gardens, but seldom approach houses.

I have placed a pair of them on a twig of the Huckleberry Bush in blossom. This species sometimes grows to the height of six or seven feet, and produces a fine berry in great abundance. Huckleberries of every sort are picked by women and children, and sold in the eastern markets in great profusion. They are used for tarts, but in my opinion are better when eaten fresh.

Song Sparrow, Tule lake NWR, CA. Photo by Rob Mutch Ecosystem Photography. Photoshelter: https://robmutch.photoshelter.com/gallery-image/Song-Sparrow/G0000ZfH3IIGKvMo/I0000Y3N5u97XHZE/C0000Jz4aOmCulYU

Fringilla melodia, Ch. Bonaparte, Synops. of Birds of the United States, p. 108.

Song Sparrow, Fringilla melodiaWilson, Americ. Ornith. vol. ii. p. 125, Pl. xvi. fig. 4.

Adult Male. Plate XXV. Fig. 1.

Bill short, robust, conical, a little bulging, straight, acute; upper mandible broader, slightly declinate at the tip; gap line a little declinate at the base. Nostrils basal, roundish, concealed by the frontal feathers. Feet of moderate length; tarsus longer than the middle toe; toes free, the lateral ones nearly equal; claws compressed, arched, acute.

Plumage rather compact above, soft and blended beneath. Wings short, rounded, the third and fourth quills longest. Tail longish, even, the feathers narrow and acute.

Bill deep brown above, bluish beneath. Iris hazel. Feet and claws pale brown. Upper part of the head reddish-brown, mottled with dark brown, with a broad line of bluish-grey down the middle. Back grey, streaked with reddish-brown and dusky. Lower back bluish-grey; tail-coverts tinged with light brown. Sides of the head bluish-grey; a broad line of brown from the eye backwards, and another from the commissure of the mouth. Under parts white, tinged on the sides with grey, and posteriorly with reddish-brown, the neck and breast spotted with dark brown, and the lateral under tail-coverts streaked with the same. Wings dark brown, the quills margined externally with reddish-brown, the coverts margined and tipped with whitish. Tail-feathers uniformly dull brown.

Length 6 inches, extent of wings 8½; bill along the ridge ⅓, along the gap ½; tarsus 1, middle toe ¾, hind toe ⅔.

Adult Female. Plate XXV. Fig. 2.

The female hardly differs in colour from the male.

 


 

The Huckle-berry or Blue-tangles.

Vaccinium frondosum, Wild. Sp. Pl. vol. ii. p. 352. Pursh, Flor. Amer. vol. i. p. 285.—Decandria Monogynia, Linn. Ericæ, Juss.

Leaves deciduous, ovato-oblong or lanceolate, entire, smooth, glaucous beneath, resinous; racemes lax, bracteate; pedicels long, filiform, bracteolate; corollas ovato-companulate, with acute laciniæ and included anthers. The flower is white, the calyx green, the berry globular and of a bluish-black colour. It varies greatly in the form of the leaves, as well as in stature, sometimes attaining a height of six or seven feet.

Huckle-berries form a portion of the food of many birds, as well as of various quadrupeds. Of the former, I may mention in particular the Wild Turkey, several species of Grouse, the Wild Pigeon, the Turtle Dove, some Loxias, and several Thrushes. Among the latter, the Black Bear stands pre-eminent, although Raccoons, Foxes, Oppossums, and others destroy great quantities. When the season is favourable, these berries are so thickly strewn on the twigs, that they may be gathered in large quantities, and as they become ripe, numerous parties resort to the grounds in which they are found, by way of frolicking, and spend the time in a very agreeable manner.

Song sparrow, Lower Klamath NWR, CA, USA. Photo by Rob Mutch Ecosystem Photography. Photoshelter: https://robmutch.photoshelter.com/gallery-image/Song-Sparrow/G0000ZfH3IIGKvMo/I0000nZHzRC3UFe4/C0000Jz4aOmCulYU

 

 

 

 

 

Fine Art America Online Store!

As Benjamin Franklin said, “You may delay, but time will not.” Well, I have procrastinated for years making my photos available for sale. But, no longer!

The online store at Fine Art America: https://fineartamerica.com/profiles/robert-mutch/shop
Buy directly from my Facebook page: https://www.facebook.com/robmutch2/
And, you can buy from here at my website: https://www.robmutch.com/store/fine-art-america/

Rob’s New Logo and Hap-Hazard Creativity

A big thanks to Heather at Hap-Hazard Creativity for designing the new Rob Mutch Ecosystem Photography logo. She managed to put up with my grand ideas and come up with a beautifully realistic design. You can find Hap-Hazard Creativity on Facebook and Etsy.

The design is from a Oregon white oak (Quercus garryana) photo I took on the William L. Finley National Wildlife Refuge here in the Willamette Valley where the Oregon white oak or Garry oak is an iconic native savanna tree. Also included is a Western scrub-jay (Aphelocoma californica) and a Western gray squirrel (Sciurus griseus) two other iconic critters common to the Willamette Valley and Puget Lowlands.

It was important the roots be visible to show the true extent of the tree. Also, that squarish and rectangular versions of the logo be available for versatility with different types of content (web site, envelopes, letterhead, poster, etc.). And, the blue and gold-colored fonts adds a bit of variety depending on the situation. It’s also important to have the raw design available so that PNG (and, other) files can be created for transparent backgrounds.

“A lifetime can be spent in a Magellanic voyage around the trunk of a single tree.” ~ Edward O. Wilson

logo design for Rob Mutch Ecosystem Photographylogo design for Rob Mutch Ecosystem Photography

 

 

 

 

 

 

 

 

 

 

logo design for Rob Mutch Ecosystem Photography

 

 

 

 

 

 

 

 

 

 

logo design for Rob Mutch Ecosystem Photography

Ecology Quote of the Week: Aldo Leopold and Willamette NF

I took this photo during a night in the canopy while on a tree climbing trip in some old-growth Douglas firs on the Willamette National Forest, Oregon, USA. Rob 🙂

Photoshelter image location: http://robmutch.photoshelter.com/gallery-image/General/G0000cal.6Ysqlik/I0000UJ3ji7kWBo4/C0000dqU7k.Kp.z4

Fall Creek, Willamette NF, Oregon, and Aldo Leopold Quote

“That land is a community is the basic concept of ecology, but that land is to be loved and respected is an extension of ethics. That lands yields a cultural harvest is a fact long known, but latterly often forgotten.” ~ Aldo Leopold

 

 

 

 

 

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